Brujas y Espantapajaros! El dibujo completo de Vivica y Cuco.
Cuco cuida a Vivica. Decidimos que cuando Cuco fue a rescatar a Vivica ambos perdieron sus ojos. Y aunque Cuco podría haber arreglado su propio ojo lo dejó como un parche para que Vivica no se sintiera sola.
Cuco looks after Vivica. We decided that during Cuco rescuing Vivica they both lost their eyes. And even though Cuco could have fixed her own she left it as a patch so Vivica wouldn’t feel alone.
I want this on a t-shirt. I LOVE IT. I’M ON THE PHONE WITH YOU RIGHT NOW SO YOU PRETTY MUCH KNOW I LOVE VIVICA AND CUCO.
Muh gurrrrl Vivca looks so cute
she left it as a patch voluntarily areyoutryingtodestroyme
finals are over so I can finally post the rest of my moulin rouge stuff and move on! it was a fun project but my hands are itching to work on something new
New Goodreads illustration! I enjoyed working with the limited palette, and always love painting books. Thanks Jade Change for the direction!
There is supposedly a downloadable poster version they’ll be releasing as well, so keep and eye on their site, if you’re a teacher or librarian or someone who likes books.
Also, Happy National Library Week!
Oh I love libraries.
A crop of my second piece for the “Electricks” show at Hot Art Wet City in Vancouver, BC. The show starts on May 1st! Come out, have a beer and look at some paintings.
More info here: http://hotartwetcity.com/electricks/
here’s a bit of what I’ve been working on for the past couple of weeks- a redesign of Moulin Rouge!
I wanted to base it on the ottoman harem, more to come soon :)
Jo In Hyuk (South Korea)
Using the simplicity of finely-traced lines and solid colour palettes, South Korean artist and art director Jo In Hyuk explores a range of emotional states with striking portrait illustrations that are as beautiful as they are thoughtful.
Jo’s digital work revolves around the values of youth, sexuality and vulnerability – complex themes that he approaches with awe-inspiring ease, as he represents suffering and grief with a quiet, heavy and almost disturbing dramatic feel. The level of the emotion within Jo’s work is made all the more mesmerising by the deep and enigmatic expressions of the subjects he paints, that one cannot help but feel connected to and struck by.
Although his pastel-coloured illustrations immerse the viewer within dream-like narratives, they are also convincing takes on the raw and real emotions, secrets and states of mind that we hide away from the world – characteristics which ultimately lend his work a particularly magical appeal.
With their fragility and finesse, Jo’s illustrations are subtle echoes of sadness, nostalgia and pain and appear incredibly discreet; yet, beneath their soft appearance, they also contain powerful messages that each of us could identify with and that won’t fail to stun the unsuspecting viewer. Jo speaks with clarity and confidence through his illustrations which, even if developed around more mature themes, always remain innocent and deeply touching.
This is a piece from my show at Spyhouse Coffee! Come see it in real life!
It’s finished!! ヽ(；▽；)ノ
I almost lost my mind with that carpet. Maybe I’ll do a simpler one for the comic ha….haha.
This is from Jousia’s apartment. The cat is called Ulriikka, but she doesn’t belong to either of them. She just visits Jousia every now and then.
I loooove environment images like this! (The rug is gorgeous)